Returning Project Inclusion Fellow, Kalena Bovell, will lead the Chicago Sinfonietta in concert for a program in her role as co-assistant conductor this season (photo courtesy of the Chicago Sinfonietta).
Chicago Sinfonietta’s industry leading professional development program, Project Inclusion, has announced its 2016-2017 class of orchestra and conducting Freeman Fellows. This year, the program will mentor nearly a dozen diverse, emerging, professionals from all over the country, adding to an already remarkable number of fellows served by the program since 2008—more than all other similar fellowship programs in the country combined according to a 2016 League of American Orchestras study.
Sinfonietta executive director Jim Hirsch noted, “It’s well known that less than 5% of classical musicians performing in American orchestras are from African American and Latino backgrounds. As orchestras struggle with relevance and community engagement, diversity is being cited more and more as a critical piece of the puzzle. We are proud of the success of a number of our ‘graduates’ who have made it on to the stage of professional orchestras across the country.”
This year’s new conducting cohort of fellows include Kellen Gray (Atlanta, Georgia), Alejandro GómezGuillén (Bloomington, Indiana), and auditor Kedrick Armstrong (Wheaton, Illinois). New orchestra fellows includeChauntee Ross (violinist, Milwaukee, Wisconsin) and Danielle Taylor (violist, Chicago, Illinois) who will be joining returning fellows Titilayo Ayangade (cellist, Chicago, Illinois) and Kyle Dickson (violinist, Detroit, Michigan).
Additionally, in a field where gender equity on the podium is still a rarity, the Sinfonietta takes a stand in its 29th season when three women appear on the Sinfonietta’s podium over the course of the year, including two returning Project Inclusion Freeman Conducting Fellows, Kalena Bovell and Deanna Tham, who have been appointed by Maestro Chen as assistant conductors for the 2016-2017 season.
“Growing up, music never seemed like an option for me,” said Bovell. “However, being a Project Inclusion Freeman Conducting Fellow last season was confirmation that anything was possible through hard work and determination. Being back as an Assistant Conductor this season feels like I have taken one giant step towards a dream that I have been chasing since I was a little girl.”
The women will join Maestro Chen throughout the orchestra’s 2016-2017 Season and each will lead the orchestra on specific repertoire twice during the year.
Entering its 29th season, Chicago Sinfonietta has pushed artistic boundaries to provide an alternative way of hearing, seeing and thinking about a symphony orchestra and is dedicated to promoting diversity, inclusion, racial and cultural equity in the arts. Each concert experience blends inventive new works with classical masterworks, each from a diverse array of voices. In 2016, Chicago Sinfonietta was the recipient of John D. and Catherine T. MacArthur Foundation’s prestigious MacArthur Award for Creative and Effective Institutions (MACEI). This award recognizes exceptional organizations that are key contributors in their fields. Learn more at www.chicagosinfonietta.org.
Clef Notes Chicagoland Journal for the Arts