Recently, Chicago-based curator and Threewalls Executive Director Jeffreen M. Hayes announces her exhibition AFRICOBRA: Nation Time has been selected as an official Collateral Event of the historic Biennale Arte 2019 in Venice (May 11 – November 24, 2019). The exhibition, which heralds the eponymous collective of young Black artists working in 1960’s Chicago, debuted at the Museum of Contemporary Art North Miami in December of 2018, and will be on view in Venice (Ca' Faccanon, San Marco, 5016 [Poste Centrali]) through the duration of the Biennale Arte 2019 from May 11 – November 24. Hayes’ recent independent curatorial work includes participating in a panel on disrupting systems at the 13th Havana Biennial (April 12 – May 12, 2019), and the curation of Augusta Savage: Renaissance Woman, an exhibition on view at the Cummer Museum in Jacksonville, Florida through April 7, 2019.

“The opportunity to bring the work of the AFRICOBRA collective to this historic and global stage is an honor I do not take lightly,” said Hayes. “Bringing forward the histories and cultural significances of artists from the African Diaspora is a personal mission, and recognition of this mission from art institutions worldwide is an incredible step for each artist whose story will finally be told.”

AFRICOBRA: Nation Time’s exhibition at Biennale Arte 2019, presented by bardoLA, marks the first time the work of this definitive and historic Black Arts collective has been celebrated by global audiences on this scale. Hayes features more than 40 works by members of the collective, along with historic documentation and archival photographs in this large-scale exhibition. AFRICOBRA was founded on the South Side of Chicago in 1968 by a collective of young Black artists, whose interest in Transnational Black Aesthetics led them to create one of the most distinctive visual voices in 20th century American art. The key characteristics to what is now considered the classic AFRICOBRA look—vibrant, “cool-ade” colors, bold text, shine and positive images of Black people —were essential to everyday life in the community from which this movement emerged. The five AFRICOBRA founders—Jeff Donaldson, Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu and Gerald Williams—understood the potential power visual art has to communicate deep meaning on multiple registers. Their collective impact helped establish the visual voice of the Black Arts Movement of the 1960s and 70s. The exhibition debuted in December of 2018 at Museum of Contemporary Art North Miami.

In addition to the upcoming inclusion in the Biennale Arte 2019, Hayes’ recent independent curatorial projects include speaking in a panel during the 13th Havana Biennial, which takes place April 12 – May 12, 2019. In the conversation, titled Curating In and Out of the Institutional Frame, Hayes will share her strategies for presenting curatorial work with different types of art institutions while expanding the art historical narrative and dismantling systemic exclusion of artists of the African Diaspora. The panel will be in conversation with Mark Scala, Chief Curator at the Frist Art Museum; Grace Aneiza Ali, Assistant Professor at Tisch School of the Arts, New York University; and independent curator Helga Montalván. The panel will take place on April 16 at 10am in Matanzas.

Threewalls was founded in 2003 to provide support and visibility for the visual arts community in Chicago. The founders wanted to encourage a greater awareness of Chicago’s art scene by inviting emerging professional artists to share in the city’s rich histories, resources and creative communities. Over the past fifteen years, Threewalls has been a center for artist-focused programming, critical writing, and direct support for artist projects. For more information, visit three-walls.org.

Chicago curator and Threewalls executive director Jeffreen M. Hayes (photo courtesy of Threewalls).

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 Chicago Curator Jeffreen M. Hayes' Africobra Selected as Collateral Event of  Venice Beinnale Arte 2019


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